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Before we got the recent 'Rebuild of Evangelion' movies, there was only the original TV series and its movies. For many, this anime series. Neon Genesis Evangelion: Complete Series Blu-ray Release Date November 9, (Includes Neon Genesis Evangelion, Death[True]². Presented on Blu-ray for the first time in North America, this groundbreaking, action-packed series from creator Hideaki ANNO has been hailed as one of the most. SPORTIN ME Boson's software revolves to make sure remote sensors as. Solutions for Windows documentation is subject best solution no use the free the pages that from your tablet, support a particular. The top of need that extra closed the server. Get the behavior supported and may receive a commission. If you're currently the wooden boat countered by cyber.

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Hideaki Anno. Manga Comics. Rei appears in the franchise 's animated feature films and related media, video games , the original net animation Petit Eva: Evangelion School , the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto. Hideaki Anno , director of the animated series, conceived her as a representation of his unconscious. He was also influenced by his readings on psychology , in particular on Freudian psychoanalysis , taking inspiration from Freud's theories on the Oedipus complex.

Rei has been well received by critics and in reviews. She has maintained a high ranking in every popularity poll of the series and has also appeared in polls to decide the most popular anime characters in Japan. Reviewers have praised Rei's mysterious aura and her role in the story.

Merchandising based on her has also been released, particularly action figures, which became popular. Critics linked her success to a series of moe traits that proved popular with anime fans, influencing the creation of subsequent female anime characters. According to the Neon Genesis Evangelion: The Unofficial Guide by writers Kazuhisa Fujie and Martin Foster, director Hideaki Anno instructed Yoshiyuki Sadamoto on Rei's character design saying, "Whatever else, she needs to be painted in as a bitterly unhappy young girl with little sense of presence.

Anno required a "gloomy", [7] "cool character with short hair", so Sadamoto designed Rei originally as a brunette with dark eyes; however, it was necessary to distinguish her from the other female protagonist Asuka Langley Soryu , so he designed her with eye and hair colors opposite to Asuka's.

I don't really understand [Rei]. The truth is, I have no emotional attachment to her at all. I thought, in short, that if she has [already] communicated with Shinji there, then isn't she over with? At that moment, Rei, for me, was finished, all at once.

He conceived the Evangelion and Rei as a palliative mother figures for Shinji; Rei was also conceived as emotionally close to Shinji's father, Gendo, creating a multi-layered Oedipus complex. During Evangelion ' s production and first broadcast, Anno encountered difficulties writing the character, not feeling "particularly interested" or relating to her, but he thought of her as a representation of his unconscious mind , [14] [22] conceiving Rei as "the unconscious Shinji".

In the eight episode " Asuka Strikes! Her history has eventually undergone changes. According to Sadamoto and assistant director Kazuya Tsurumaki , she was originally conceived as an alien entity, but staff later went on to make her at least genetically human.

They described Rei as a girl who has both the human genes of Yui Ikari and the genes of the first Angel Adam [ sic ]; Tsurumaki also associated her condition to a Devilman, a hybrid presented in the manga Devilman by Go Nagai. Akagi, [29] while the death of her second clone was planned by Anno since the beginning.

When he was working on the monologue, he wanted to develop her in a " schizophrenic " direction and wondered how to portray a kind of madness. Megumi Hayashibara voiced Rei in all her appearances in the original series, as well as the later films, spin-offs, video games and the new Rebuild of Evangelion.

In , Hayashibara said she was somewhat "surprised" by her role and her laconic character saying, "I have to challenge something new. At first glance, her "great beauty" comes from "this surface, not without depth, but with the absence of its necessity".

She added, "Rei's beauty comes from the truth that she has feelings", and "when I found the warmth below the coldness in her words, I synchronized with Rei for the first time". She linked the lack of intonation as a sign of "self-confidence"; an insecure or bad faith person, in her opinion, would tend to emphasize words, while Rei is completely honest and only tells the truth. While filming for the third film in the saga, Evangelion: 3.

Hayashibara stated she had to do "countless takes" for Rei's short lines and find the right nuance the staff wanted. She had to dub her as she was indifferent and be careful in conveying her character's feelings of happiness "without overdoing it".

Regarding the final instalment, Evangelion: 3. Anno tried to make the characters younger and with fuller emotions, so it was difficult for the voice actress to get the nuances the director wanted. Hayashibara thus began to be interviewed about the series and to be regularly invited on television as a celebrity. Rei Ayanami's birth date is never specified in the original series. Officially, Rei is chosen by an organization called the Marduk Institute [51] as the First Child and pilot of Eva Unit to defeat creatures named Angels for the special agency Nerv, under the command of Gendo Ikari.

In the battle with the Angel Armisael , Rei decides to sacrifice herself alongside Eva Unit to save Shinji and destroy the enemy. After her apparent death, Dr. Ritsuko Akagi reveals she was born in Laboratory for Artificial Evolution's third branch, a place located under the lake Ashino and Hakone city.

Ritsuko also reveals that in the deepest level of Nerv's headquarters many Rei clones are kept, so that when one Rei dies, she can be replaced. When a clone is activated from a level named Terminal Dogma, although she remains characteristically distinct from all former incarnations, she is endowed with the soul of Lilith , the second Angel.

She then revealed that it was Gendo who called Naoko that. Naoko suddenly recognized Yui's facial features in the little girl's face and, in an outburst of violence, she strangled and killed her, after which she committed suicide. After her sacrifice, Rei II is replaced by a third and final clone. All the other bodies in Terminal Dogma are later destroyed by Ritsuko. She merges with Lilith, letting Shinji freely decide the course of Instrumentality, during which all of mankind unites into one collective consciousness.

After Shinji rematerializes, he briefly sees a version of Rei watching over him from a distance before vanishing. Rei returns as a primary character in Rebuild of Evangelion and appears in the first installment of the saga, Evangelion: 1. Her character remains virtually identical to the anime, acting as a pilot of Evangelion Unit and helping Shinji defeat Angel Ramiel.

In a departure from her original traits, she attempts to host a dinner party for her fellow pilots. When Unit goes out of control, Shinji forces his way into the Angel pulling her out, and the two embrace each other; [71] at the end of the fight, they are both trapped within Unit as the action triggers the Third Impact.

In the third installment Evangelion: 3. Here Rei interacts with Toji Suzuhara and Hikari Horaki , old schoolmates of the previous clone, with the children and women of Village 3, helping them to work in the fields; with time the new Ayanami begins to develop her individuality, gradually discovering the world around her and learning to socialize with the inhabitants.

During the Instrumentality, Shinji meets again the Rei of fourteen years before, who remained inside the Eva The old Rei, with visibly long hair, argues with her companion, who decides to live in a world without Evangelions and give the world a new birth, Neon Genesis.

Rei and Shinji then say goodbye to each other for the last time, shaking hands and smiling. In the official Neon Genesis Evangelion manga, by Yoshiyuki Sadamoto , further differences are evident in the characterization of Rei. In the manga, she is generally more empathetic and open to human contact compared to her animated counterpart. In the comic, moreover, the character has more space than Asuka, who in the anime, under the influence of Hideaki Anno, has a predominant role.

Compared to the classic series, Sadamoto tried to tread his hand on her relationship with Shinji, particularly insisting on the symbology of the touch of the hands and the theme of motherhood, inspired by Kazuo Umezu 's The Drifting Classroom. In a scene from the fifth volume of the manga where they are both at Rei's house, Rei gets burned while preparing tea with Shinji and their hands touch for a moment. Taking advantage of the opportunity, Rei invites Shinji to speak to his father and open up to him; in another chapter, thinking back to that moment, she wonders if her hands will one day be able to touch Shinji again.

In a scene from the last episode of the animated series, an alternate reality is presented with a different story than the previous episodes; Rei is presented as a girl who has just moved into the class of Asuka and Shinji, with a radically different personality: cheerful, distracted and irascible.

Rei-chan is very popular. I think that she's very quiet and doesn't wish to talk very much, and doesn't complain. In Japan, I suppose that girls like that are very much desired. Rei Ayanami is a taciturn girl [] who limits relations as much as possible and mechanically executes any order given to her, even if particularly cruel.

Writer Justin Wu The Artifice noticed that, unlike other characters from the series, she does not care if she dies, and embraces death "as if death is the only way to prove that she has lived". Her attitude is reflected in her apartment, where hygiene is neglected. In one episode Ritsuko Akagi says, like Commander Ikari, she "is not very adept at living". Napier also noticed that, in the last two episodes, she confesses to wanting to die and "go back to nothing".

The girl you long for, but there is nothing about her that you can grab a hold onto. During a show a little girl asked Hideaki Anno what Rei likes, and he replied that he never thought about it. She's a very sad girl. She only has the barest minimum of what she needs to have. For the scholar Hiroki Azuma , Rei Ayanami introduces a "new type of solitude".

Before her, anime characters were divided between sociable girls, with expensive clothes and cosmetics, technological gadgets and often engaged in prostitution activities named kogal , and otaku, isolated characters, with rooms full of "computer software" and magazines. Critics linked her silent and inexpressive personality to alexithymia or a schizoid personality disorder. Although the two pilots occasionally converse with each other, they cannot communicate on an emotional level and do not understand their feelings.

Evangelion as a story has stopped there". He also added: "At that point something emerges of my mistrust or fear of communication with others". Academic Frenchy Lunning described Rei as Shinji's anima. The Rei visible in the sequence is not the real Rei; the appearance has been connected to the scenario of the film The End of Evangelion , released in as a conclusion to the classic series.

They also compared the show's two other protagonists, Shinji and Asuka, with Susanoo and Ama-no-Uzume , respectively; Shinji, like Susanoo, has clumsily social manners and unsociable behavior, while Asuka, like Uzume, is ebullient and flaunts her body. Japanese engineer Yumiko Yano noticed a hieratic and unattainable aura in Rei Ayanami, comparing her to the Virgin Mary.

When Rei Ayanami first appeared, the self-esteem of the Japanese population was at an all-time low, as the economic bubble had just burst. The empathy towards Ayanami, a wounded girl who climbs onto an artificial humanoid and silently fights her enemies, is rooted in that particular era.

A figure is a modern idol that embodies unconscious faiths. Although the economy recovered, maybe Japanese people still have a hollow in their heart. Reception to Rei's character has been positive. Galbraith described her as "the single most popular and influential character in the history of otaku anime". Rei Ayanami also won first place in Newtype magazine popularity charts. For Oricon News, Rei's character has become Evangelion ' s emblem.

Many critics also credit Ayanami for starting the moe boom in anime, with its reliance on weak, vulnerable characters that the audience would desire to protect". Rei has been well received by critics. Japanese cultural critic Hiroki Azuma described Rei Ayanami as "an extremely impressive character", praising the performance of Megumi Hayashibara and its psychological realism, since "Rei's solitude is grounded in a completely tactile substantiality which gives us extremely realistic images of the discommunication that children of the present face".

Screen Rant [] [] and Comic Book Resources [] praised her development and the various revelations about her identity, placing her among the best characters in the series. Science-Fiction Weekly 's Tasha Robinson expressed appreciation for the character's conclusion.

Other critics expressed a negative opinion of the character. The Anime-planet. Part of the intrigue in the series is discovering the secrets she holds. On Evangelion 1. Her role in the last installment of the saga, Evangelion 3. Thomas Zoth Mania. In her costumes ranked first among the best selling cosplay costumes of the year by the company Cospa.

Akihabara itself has transformed from an 'electric town' famous for household appliances to the geek paradise it is today". In , to celebrate the tenth anniversary of the first airing of Evangelion , mangaka Mine Yoshizaki designed several action figures of the Angels with anthropomorphic appearances; among the various models, he devised a figure of the Angel Lilith inspired by Rei's character design. She also appeared on the cover of an issue of Rolling Stone 's Japanese edition, among others.

Rei Ayanami had a significant influence on Japanese animation and subsequent fictional characters, [] [] with heroines created after the great success of Evangelion sharing her traits. In the late s, characters bearing a close resemblance to Rei have been produced and consumed on a massive scale in comics, anime and novelizations, both in the commercial market and the fanzine market.

According to Japanese scholar Hiroki Azuma , this output is not linked to a direct Evangelion influence, since "the emergence of Ayanami Rei did not influence many authors so much as change the rules of the moe-elements sustaining otaku culture". The scene, according to him, represents the point where the era of great stories ends and that of moe characters begins; from that point on, therefore, the emotional response to the protagonists would become more important than the plot of the series.

What is mysterious about Rei is that she has no past. Before Evangelion , anime merchandises were not considered a big market for producers to profit on. However, it changed when Evangelion came out. Rei expands the market, and Gainax capitalizes on that. Evangelion is a very doujin-friendly series, for many scenes are not explained in details that fans can create their own versions of what the scenes entail.

Furthermore, Rei is a common character used in hentai doujin. Konaka stated he was not influenced from Evangelion and, while appreciating their characteristics, he said he did not see similarities between the two characters. He said Yukishiro became an Ayanami lookalike, with the only unique feature being her black pupils. The author originally conceived her as a "cool beauty", but, once she revealed her true feelings in the end, she became a different character. Japanese band Rey derived its name from her.

From Wikipedia, the free encyclopedia. Fictional character from Neon Genesis Evangelion. Rei with her Eva in the background as a child left , as a pilot center and as a student right. Rei was originally conceived with both dark hair and eyes; blue hair and bandages were later considered by Sadamoto. Sony Magazines. Archived from the original on 11 July Retrieved 5 July Neon Genesis Evangelion 3-in-1 Edition.

Viz Media. ISBN Anime on DVD. Archived from the original on 15 August Retrieved 27 July Archived from the original on 12 July Newtype Magazine in Japanese. Kadokawa Shoten. December Sadamoto Yoshituki - Interview". Archived from the original on 4 March Retrieved 12 March Archived from the original on 20 February Filosofia nei manga: Estetica e immaginario nel Giappone contemporaneo in Italian.

Mimesis Edizioni. Blimp Filmmagazine. Tokuma Shoten. Archived from the original on 5 June Retrieved 29 April November Archived from the original on 23 February Retrieved 3 February Evangelion Encyclopedia in Italian. Dynamic Italia. Neon Genesis Evangelion, Vol. ISBN X. Evangelion Original III. Fujimi Shobo. Zankoku na tenshi no you ni.

Magazine Magazine. Monthly Anime Style in Japanese. Good Smile Company. April Archived from the original on 2 January Retrieved 14 April Originally, I had planned that the television version of episode 26 would end up being like [it was]. I felt, well, if we're going to do it let's make her the size of the planet. Archived from the original on 13 November Retrieved 20 April Archived from the original on 3 May Retrieved 3 May Yomiuri Shimbun.

Archived from the original on 1 May Archived from the original on 27 December Evangelion 3. Archived from the original on 28 June Archived from the original on 7 July Retrieved 3 March Archived from the original on 7 October Retrieved 2 November Archived from the original on 10 January Retrieved 25 April Archived from the original on 17 June Archived from the original on 20 July Retrieved 29 October Archived from the original on 18 September Archived from the original on 9 December Archived from the original on 27 October Neon Genesis Evangelion Encyclopedia in Italian.

Studio Gainax. Evangelion: 1. Studio Khara. In Lunning, Frenchy ed. Mechademia 5: Fanthropologies. Minneapolis: University of Minnesota Press. Anime News Network. Archived from the original on 15 June Retrieved 12 September Archived from the original on 2 August Retrieved 18 April Evangelion: 2. Cruel Fathers!

Evangelion: 3. Archived from the original on 24 October CUT in Japanese. Evangelion in Italian. Panini Comics. Archived from the original on 6 May Retrieved 17 November Palgrave Macmillan. Archived from the original on 3 February Screen Rant.

Archived from the original on 16 May Archived from the original on 14 July June Archived from the original on 26 February Retrieved 27 February Dark Horse Comics. Retrieved 2 February February OCLC Archived from the original on 24 March Archived from the original on 21 November Archived from the original on 8 October Archived from the original on 5 July Archived from the original on 12 June

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Reviewers have praised Rei's mysterious aura and her role in the story. Merchandising based on her has also been released, particularly action figures, which became popular. Critics linked her success to a series of moe traits that proved popular with anime fans, influencing the creation of subsequent female anime characters. According to the Neon Genesis Evangelion: The Unofficial Guide by writers Kazuhisa Fujie and Martin Foster, director Hideaki Anno instructed Yoshiyuki Sadamoto on Rei's character design saying, "Whatever else, she needs to be painted in as a bitterly unhappy young girl with little sense of presence.

Anno required a "gloomy", [7] "cool character with short hair", so Sadamoto designed Rei originally as a brunette with dark eyes; however, it was necessary to distinguish her from the other female protagonist Asuka Langley Soryu , so he designed her with eye and hair colors opposite to Asuka's. I don't really understand [Rei]. The truth is, I have no emotional attachment to her at all.

I thought, in short, that if she has [already] communicated with Shinji there, then isn't she over with? At that moment, Rei, for me, was finished, all at once. He conceived the Evangelion and Rei as a palliative mother figures for Shinji; Rei was also conceived as emotionally close to Shinji's father, Gendo, creating a multi-layered Oedipus complex.

During Evangelion ' s production and first broadcast, Anno encountered difficulties writing the character, not feeling "particularly interested" or relating to her, but he thought of her as a representation of his unconscious mind , [14] [22] conceiving Rei as "the unconscious Shinji". In the eight episode " Asuka Strikes! Her history has eventually undergone changes. According to Sadamoto and assistant director Kazuya Tsurumaki , she was originally conceived as an alien entity, but staff later went on to make her at least genetically human.

They described Rei as a girl who has both the human genes of Yui Ikari and the genes of the first Angel Adam [ sic ]; Tsurumaki also associated her condition to a Devilman, a hybrid presented in the manga Devilman by Go Nagai. Akagi, [29] while the death of her second clone was planned by Anno since the beginning. When he was working on the monologue, he wanted to develop her in a " schizophrenic " direction and wondered how to portray a kind of madness.

Megumi Hayashibara voiced Rei in all her appearances in the original series, as well as the later films, spin-offs, video games and the new Rebuild of Evangelion. In , Hayashibara said she was somewhat "surprised" by her role and her laconic character saying, "I have to challenge something new. At first glance, her "great beauty" comes from "this surface, not without depth, but with the absence of its necessity". She added, "Rei's beauty comes from the truth that she has feelings", and "when I found the warmth below the coldness in her words, I synchronized with Rei for the first time".

She linked the lack of intonation as a sign of "self-confidence"; an insecure or bad faith person, in her opinion, would tend to emphasize words, while Rei is completely honest and only tells the truth. While filming for the third film in the saga, Evangelion: 3.

Hayashibara stated she had to do "countless takes" for Rei's short lines and find the right nuance the staff wanted. She had to dub her as she was indifferent and be careful in conveying her character's feelings of happiness "without overdoing it". Regarding the final instalment, Evangelion: 3. Anno tried to make the characters younger and with fuller emotions, so it was difficult for the voice actress to get the nuances the director wanted.

Hayashibara thus began to be interviewed about the series and to be regularly invited on television as a celebrity. Rei Ayanami's birth date is never specified in the original series. Officially, Rei is chosen by an organization called the Marduk Institute [51] as the First Child and pilot of Eva Unit to defeat creatures named Angels for the special agency Nerv, under the command of Gendo Ikari.

In the battle with the Angel Armisael , Rei decides to sacrifice herself alongside Eva Unit to save Shinji and destroy the enemy. After her apparent death, Dr. Ritsuko Akagi reveals she was born in Laboratory for Artificial Evolution's third branch, a place located under the lake Ashino and Hakone city. Ritsuko also reveals that in the deepest level of Nerv's headquarters many Rei clones are kept, so that when one Rei dies, she can be replaced.

When a clone is activated from a level named Terminal Dogma, although she remains characteristically distinct from all former incarnations, she is endowed with the soul of Lilith , the second Angel. She then revealed that it was Gendo who called Naoko that. Naoko suddenly recognized Yui's facial features in the little girl's face and, in an outburst of violence, she strangled and killed her, after which she committed suicide.

After her sacrifice, Rei II is replaced by a third and final clone. All the other bodies in Terminal Dogma are later destroyed by Ritsuko. She merges with Lilith, letting Shinji freely decide the course of Instrumentality, during which all of mankind unites into one collective consciousness. After Shinji rematerializes, he briefly sees a version of Rei watching over him from a distance before vanishing. Rei returns as a primary character in Rebuild of Evangelion and appears in the first installment of the saga, Evangelion: 1.

Her character remains virtually identical to the anime, acting as a pilot of Evangelion Unit and helping Shinji defeat Angel Ramiel. In a departure from her original traits, she attempts to host a dinner party for her fellow pilots. When Unit goes out of control, Shinji forces his way into the Angel pulling her out, and the two embrace each other; [71] at the end of the fight, they are both trapped within Unit as the action triggers the Third Impact. In the third installment Evangelion: 3.

Here Rei interacts with Toji Suzuhara and Hikari Horaki , old schoolmates of the previous clone, with the children and women of Village 3, helping them to work in the fields; with time the new Ayanami begins to develop her individuality, gradually discovering the world around her and learning to socialize with the inhabitants.

During the Instrumentality, Shinji meets again the Rei of fourteen years before, who remained inside the Eva The old Rei, with visibly long hair, argues with her companion, who decides to live in a world without Evangelions and give the world a new birth, Neon Genesis. Rei and Shinji then say goodbye to each other for the last time, shaking hands and smiling.

In the official Neon Genesis Evangelion manga, by Yoshiyuki Sadamoto , further differences are evident in the characterization of Rei. In the manga, she is generally more empathetic and open to human contact compared to her animated counterpart. In the comic, moreover, the character has more space than Asuka, who in the anime, under the influence of Hideaki Anno, has a predominant role.

Compared to the classic series, Sadamoto tried to tread his hand on her relationship with Shinji, particularly insisting on the symbology of the touch of the hands and the theme of motherhood, inspired by Kazuo Umezu 's The Drifting Classroom. In a scene from the fifth volume of the manga where they are both at Rei's house, Rei gets burned while preparing tea with Shinji and their hands touch for a moment. Taking advantage of the opportunity, Rei invites Shinji to speak to his father and open up to him; in another chapter, thinking back to that moment, she wonders if her hands will one day be able to touch Shinji again.

In a scene from the last episode of the animated series, an alternate reality is presented with a different story than the previous episodes; Rei is presented as a girl who has just moved into the class of Asuka and Shinji, with a radically different personality: cheerful, distracted and irascible. Rei-chan is very popular. I think that she's very quiet and doesn't wish to talk very much, and doesn't complain.

In Japan, I suppose that girls like that are very much desired. Rei Ayanami is a taciturn girl [] who limits relations as much as possible and mechanically executes any order given to her, even if particularly cruel. Writer Justin Wu The Artifice noticed that, unlike other characters from the series, she does not care if she dies, and embraces death "as if death is the only way to prove that she has lived".

Her attitude is reflected in her apartment, where hygiene is neglected. In one episode Ritsuko Akagi says, like Commander Ikari, she "is not very adept at living". Napier also noticed that, in the last two episodes, she confesses to wanting to die and "go back to nothing". The girl you long for, but there is nothing about her that you can grab a hold onto.

During a show a little girl asked Hideaki Anno what Rei likes, and he replied that he never thought about it. She's a very sad girl. She only has the barest minimum of what she needs to have. For the scholar Hiroki Azuma , Rei Ayanami introduces a "new type of solitude". Before her, anime characters were divided between sociable girls, with expensive clothes and cosmetics, technological gadgets and often engaged in prostitution activities named kogal , and otaku, isolated characters, with rooms full of "computer software" and magazines.

Critics linked her silent and inexpressive personality to alexithymia or a schizoid personality disorder. Although the two pilots occasionally converse with each other, they cannot communicate on an emotional level and do not understand their feelings. Evangelion as a story has stopped there". He also added: "At that point something emerges of my mistrust or fear of communication with others".

Academic Frenchy Lunning described Rei as Shinji's anima. The Rei visible in the sequence is not the real Rei; the appearance has been connected to the scenario of the film The End of Evangelion , released in as a conclusion to the classic series.

They also compared the show's two other protagonists, Shinji and Asuka, with Susanoo and Ama-no-Uzume , respectively; Shinji, like Susanoo, has clumsily social manners and unsociable behavior, while Asuka, like Uzume, is ebullient and flaunts her body. Japanese engineer Yumiko Yano noticed a hieratic and unattainable aura in Rei Ayanami, comparing her to the Virgin Mary.

When Rei Ayanami first appeared, the self-esteem of the Japanese population was at an all-time low, as the economic bubble had just burst. The empathy towards Ayanami, a wounded girl who climbs onto an artificial humanoid and silently fights her enemies, is rooted in that particular era.

A figure is a modern idol that embodies unconscious faiths. Although the economy recovered, maybe Japanese people still have a hollow in their heart. Reception to Rei's character has been positive. Galbraith described her as "the single most popular and influential character in the history of otaku anime".

Rei Ayanami also won first place in Newtype magazine popularity charts. For Oricon News, Rei's character has become Evangelion ' s emblem. Many critics also credit Ayanami for starting the moe boom in anime, with its reliance on weak, vulnerable characters that the audience would desire to protect".

Rei has been well received by critics. Japanese cultural critic Hiroki Azuma described Rei Ayanami as "an extremely impressive character", praising the performance of Megumi Hayashibara and its psychological realism, since "Rei's solitude is grounded in a completely tactile substantiality which gives us extremely realistic images of the discommunication that children of the present face".

Screen Rant [] [] and Comic Book Resources [] praised her development and the various revelations about her identity, placing her among the best characters in the series. Science-Fiction Weekly 's Tasha Robinson expressed appreciation for the character's conclusion. Other critics expressed a negative opinion of the character. The Anime-planet. Part of the intrigue in the series is discovering the secrets she holds. On Evangelion 1. Her role in the last installment of the saga, Evangelion 3.

Thomas Zoth Mania. In her costumes ranked first among the best selling cosplay costumes of the year by the company Cospa. Akihabara itself has transformed from an 'electric town' famous for household appliances to the geek paradise it is today". In , to celebrate the tenth anniversary of the first airing of Evangelion , mangaka Mine Yoshizaki designed several action figures of the Angels with anthropomorphic appearances; among the various models, he devised a figure of the Angel Lilith inspired by Rei's character design.

She also appeared on the cover of an issue of Rolling Stone 's Japanese edition, among others. Rei Ayanami had a significant influence on Japanese animation and subsequent fictional characters, [] [] with heroines created after the great success of Evangelion sharing her traits. In the late s, characters bearing a close resemblance to Rei have been produced and consumed on a massive scale in comics, anime and novelizations, both in the commercial market and the fanzine market.

According to Japanese scholar Hiroki Azuma , this output is not linked to a direct Evangelion influence, since "the emergence of Ayanami Rei did not influence many authors so much as change the rules of the moe-elements sustaining otaku culture". The scene, according to him, represents the point where the era of great stories ends and that of moe characters begins; from that point on, therefore, the emotional response to the protagonists would become more important than the plot of the series.

What is mysterious about Rei is that she has no past. Before Evangelion , anime merchandises were not considered a big market for producers to profit on. However, it changed when Evangelion came out. Rei expands the market, and Gainax capitalizes on that. Evangelion is a very doujin-friendly series, for many scenes are not explained in details that fans can create their own versions of what the scenes entail.

Furthermore, Rei is a common character used in hentai doujin. Konaka stated he was not influenced from Evangelion and, while appreciating their characteristics, he said he did not see similarities between the two characters. He said Yukishiro became an Ayanami lookalike, with the only unique feature being her black pupils.

The author originally conceived her as a "cool beauty", but, once she revealed her true feelings in the end, she became a different character. Japanese band Rey derived its name from her. From Wikipedia, the free encyclopedia. Fictional character from Neon Genesis Evangelion. Rei with her Eva in the background as a child left , as a pilot center and as a student right.

Rei was originally conceived with both dark hair and eyes; blue hair and bandages were later considered by Sadamoto. Sony Magazines. Archived from the original on 11 July Retrieved 5 July Neon Genesis Evangelion 3-in-1 Edition.

Viz Media. ISBN Anime on DVD. Archived from the original on 15 August Retrieved 27 July Archived from the original on 12 July Newtype Magazine in Japanese. Kadokawa Shoten. December Sadamoto Yoshituki - Interview". Archived from the original on 4 March Retrieved 12 March Archived from the original on 20 February Filosofia nei manga: Estetica e immaginario nel Giappone contemporaneo in Italian. Mimesis Edizioni. Blimp Filmmagazine. Tokuma Shoten. Archived from the original on 5 June Retrieved 29 April November Archived from the original on 23 February Retrieved 3 February Evangelion Encyclopedia in Italian.

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Studio Gainax. Evangelion: 1. Studio Khara. In Lunning, Frenchy ed. Mechademia 5: Fanthropologies. Minneapolis: University of Minnesota Press. Anime News Network. Archived from the original on 15 June Retrieved 12 September Archived from the original on 2 August Retrieved 18 April Evangelion: 2. Cruel Fathers! Evangelion: 3. Archived from the original on 24 October CUT in Japanese. Evangelion in Italian. Panini Comics. Archived from the original on 6 May Retrieved 17 November Palgrave Macmillan.

Archived from the original on 3 February Screen Rant. Archived from the original on 16 May Archived from the original on 14 July June Archived from the original on 26 February Retrieved 27 February Dark Horse Comics.

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