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k Followers, Following, Posts - See Instagram photos and videos from Jean-Michel Jarre (@jeanmicheljarre). Projects. Welcome to the other side · AMAZONIA · EōN · Mélancolique Rodéo · Biography · Music · Live; Shop. EU Shop · UK Shop · US Shop. Jean-Michel Jarre has been one of the pioneering forces throughout the electronic music scene over the last five decades, having originally made his name in. TONEWORKS KORG My overall experience query, even though a second monitor necessary are stored. If your operating wider view of to its developers:. While Remmina is one instance of.

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Tomas Anderson. Jean Michel Jarre pinned post 12 Dec Lalisa Kotova. Antonio Salvador Sanchez. It was really wonderful. Jean Michel Jarre pinned post 21 Nov YouTube Jean Michel Jarre pinned post 15 Sep Fernando Costalonga. Alexey Sichnenko. Oleg Portyanov. Jean Michel Jarre pinned post 9 May Dima Lesov. Artur Markevich. Dima Lesov replied 11 replies. Sergey Kumeyko. Jean Michel Jarre. Oxygene, Pt. Sergey Kotslov. Kotslov Sergey. Jean-Michel Jarre — Oxygene Part 4 remake.

Ilya Vergeles. Andrey Ganin. The album's release coincided with Jarre's first foreign tour. The Republic invited Jarre to become the first western musician to play there, with Les Concerts en Chine. Chinese officials solved the problem by temporarily cutting power to the surrounding districts. At the second venue, Shanghai, Jarre encouraged audience participation by stepping into the crowd, which became much more exuberant than that in Beijing.

In Jarre was approached to create background music for a supermarket-themed art show, the Orrimbe show held June 2—30, at the J. Riedel Gallery, Paris. Jarre did allow Radio Luxembourg to broadcast the album, once, in its entirety, and encouraged listeners to tape the broadcast. Jarre explained this was his protest at the "silly industrialisation of music".

Zoolook features snippets of words and speech from languages across the globe. A long list of musicians, including Adrian Belew and Marcus Miller , also made significant contributions. I've always been involved in ethnic music, though I thought the way a lot of people have been using ethnic music was a little superficial. Sometimes it works, like the Brian Eno stuff, it worked the first time, but for me what was more interesting was not making a particular statement about recording in Africa or in China, but taking some sounds and having exactly the same attitude as when you were in front of a Moog 55 or a modular system, replacing the oscillators with a bank of actors or people, treating them through the Fairlight or the EMS synth, and establishing an orchestration using only voices.

In , Jarre was invited by the musical director of the Houston Grand Opera to perform a concert celebrating Texas 's th anniversary on 5 April Although he was busy with other projects and was at first unimpressed by the proposal, on a later visit to the city, he was immediately impressed by the visual grandeur of the city's skyline and agreed to perform. Also, marked the 25th anniversary of the foundation of the Lyndon B.

January Baroque in style, the album uses a mixture of French horns , trombones and violins ; and it features heavy use of the Elka Synthex , notably so on "Second Rendez-Vous", a track Jarre often performs using a laser harp. Consideration was given to the cancellation of the concert; but McCandless contacted Jarre and urged him to proceed, in memory of the shuttle's crew. I remember just before take-off, Ron calling me in Paris saying "Everything's ready, see you in a week's time, watch me on television for the take-off" I will really, keep always, the bit of Ron's smile and Ron's face in my heart.

About 2, projectors shone images onto buildings and giant screens up to 1, feet m high, transforming the city's skyscrapers into spectacular backdrops for an elaborate display of fireworks and lasers. The display was so impressive that a nearby freeway was blocked by passing vehicles, forcing the authorities to close it for the duration of the concert. In Jarre released Revolutions.

The album spans several genres, including symphonic industrial, Arabian inspired, light guitar pop and ethnic electro jazz. Early in Jarre met with local officials and members of the community, [48] but Newham Borough Council expressed their fears about the event's safety and delayed their decision on whether to allow the concert to proceed until 12 September [47] eventually rejecting the licence application. The local fire service were also concerned about access in the event of a fire.

Site work continued as Jarre's team searched for alternative locations in which to stage the concert, but following improvements to both on and off-site safety Jarre eventually won conditional approval on 28 September to stage two separate performances, on 8 and 9 October.

The floating stage on which Jarre and his musicians performed was built on top of four large barges. Large purpose-built display screens were built, and one of the buildings to be used as a backdrop was painted white. One large mirror ball being transported to the event fell onto the roadside, causing a degree of confusion as some people mistook it for a fallen satellite. World War II searchlights were installed, to illuminate the sky and surrounding architecture.

Inclement weather had threatened to break the stage from its moorings, putting paid to the original plan to float the stage across the Royal Victoria Dock. Wind speeds were so high that television cameras were blown over. On the second evening the audience, which included Diana, Princess of Wales , [46] was soaked by rain and wind.

However, with only weeks to go, important equipment had not arrived and the sinking in the Atlantic Ocean of a cargo ship containing the purpose-built pyramidal stage and other technical and financial problems made staging the concert impossible. Jarre's disappointment was such that he "could not cope with Mexican food for two years". About two years later he released Chronologie , an album influenced by the techno-music scene. In a sense, Chronologie is a kind of mixture between the sounds of the '70s and the sounds of the '90s.

Chronologie was performed at a series of 16 performances across Europe called Europe in Concert. These were on a smaller scale than his previous concerts, featuring a miniature skyline, laser imaging and fireworks. The Eiffel Tower was specially lit for the occasion, prompting the installation of a more permanent display. The excitement of being able to work on sounds in a tactile, manual, almost sensual way is what drew me to electronic music in the first place The lack of limitations is very dangerous.

It is like the difference for a painter of getting four tubes with four main colours or being in front of a computer with two million colours. You have to scan the two million colours and when you arrive to the last one you have obviously forgotten the first one. In the Eighties we became archivists and everything became rather cold as a result. In September that year he set his fourth record for the largest-ever outdoor-concert audience with a performance at the Moscow State University , celebrating the th anniversary of Moscow.

The event was viewed by an audience of about 3. The show featured performances from more than 1, local artists and musicians, and was based on ancient Egyptian mythology about the journey of the sun and its effect upon humanity.

Sound effects used include radio interference from mobile phones, and Macintalk, a Macintosh program used to generate lyrics on the track "Love, Love, Love". I had to go somewhere completely different. Metamorphoses is like a blank page for me, a new beginning. The same year he composed, with Francis Rimbert arrangements, the music for the short-lived French channel Match TV, and contributed music to the soundtrack of the film Who wants to be a Star.

Danish band Safri Duo featured on the track "Aero", which in fact was Bourges 2 from the performance earlier that year, and Rendez-Vous 4. The concert was broadcast live on various TV stations around the world and a shortened one-hour version was made available for rebroadcast. By no fault of Jarre, due to 22 millimeters of rain and lack of proper preparation for and execution of the event, it took several hours for all people to be able to leave the area, and many cars were stuck until the next day.

The problems subsequently became a big issue in Danish media, since, had there been an accident, it would be extremely difficult for help to get to the location. Two years previously, nine people were killed at Roskilde Festival , which had brought focus on security at large concerts. Preparations for AERO were later proven to have been lacking, and the police investigation concluded, in part, that permission for the concert should not have been granted.

In he released Sessions , a set of experimental synth-jazz pieces distinct from his previous work. Sessions was well received by Billboard Magazine , which said "He's created a deeply nuanced soundscape that invites repeated listening. Room' nightclub in France. It contains a mix of 'electro-chill' music, with touches of his more traditional style. Jarre gave two performances, the first at the Meridian Gate of the Forbidden City , and the second in Tiananmen Square.

More than 15, spectators watched the concert at the Meridian Gate, and each concert was transmitted nationwide on live television. Jarre collaborated with musician Chen Lin. Accompanying his traditional musical repertoire, projectors shone coloured light and images across various screens and objects. Purportedly the world's first album released for 5. Accompanying the audio, the DVD features a visual image of Anne Parillaud 's eyes, recorded in real time as she listened to the album.

A free event, it was attended by about 25, people. Images of water and the environment were projected onto nine vertical screens, held in place by sand which was watered to keep it hard. Several permanent drinking fountains were built on the site, along with a permanent electricity installation.

Jarre was accompanied by over 60 Moroccan artists. The album is supposed to describe the different stages of a loving relationship, and explores the idea that the length of such relationships is unpredictable. Its release demonstrated a move away from virtual instruments and computers that Jarre had been using up to that point; he instead chose to use a simplified range of devices, including several new prototype instruments.

The album's cover was inspired by the David Lynch film Wild at Heart. A first for Jarre, the album was recorded live, without tape or hard disk playback, with help from Francis Rimbert , Claude Samard and Dominique Perrier. The album also contains three extra tracks "Variation Part 1", "2" and "3", respectively not found on either the original or remake, which form links between the main movements.

There are one or two exceptions but 95 percent of the instruments are of that time. For me it was really important for the radicalism of the process. Following one such performance at the Royal Albert Hall Jarre met Brian May , who proposed he create a concert in Tenerife for the International Year of Astronomy , [78] but a lack of sponsorship meant that the concert did not take place. This was the last Jarre work to be released by Disques Dreyfus. The Essentials disc is a compilation of some of his most famous works.

After this release, Jarre recovered sole intellectual property rights over his work, which had previously been owned by Francis Dreyfus Music. On 1 July , Jarre performed a large-scale concert in Monaco to celebrate the marriage of Prince Albert and his bride Charlene. During the last quarter of he concluded a tour schedule that had lasted for almost 3 years. He used the same format for a later concert at Carthage during the city's musical festival.

The first of these to be released was the collaboration with Gesaffelstein entitled Conquistador , followed by Glory , with M The track was also featured as part of the soundtrack of a short film entitled EMIC. On 5 October , Democracy in Europe Movement announced that Jarre would be a member of its advisory panel. One track 8 "Exit" includes speech by Edward Snowden. On 11 April , it was revealed that Jarre worked in collaboration with British virtual band Gorillaz on their fifth studio album Humanz.

In , he performed a concert near the fortress of Masada , for the purpose of saving the Dead Sea. This concert was called "The Green Concert", and involved laser projections on the skyscrapers of the financial center of Riyadh. Jarre started a promotional tour for his book. The show has had over 75 million viewers as of 5 January Jarre was married to Flore Guillard from until Jarre said about his father: "My father and I never really achieved a real relationship. We probably saw each other 20 or 25 times in our lifetime.

When you are able, at my age, to count the times you have seen your father, it says something I think it's better to have conflict, or, if you have a parent who dies, you grieve, but the feeling of absence is very difficult to fill, and it took me a while to absorb that.

An asteroid , Jarre , has been named in his honour. Jarre composed for movies and also participated in documentaries. From Wikipedia, the free encyclopedia. French composer, performer and record producer. Ambient new-age electronic trance progressive rock techno. Composer performer record producer.

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Jean-Michel Jarre - Oxygene, Pt. 4

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Jean Michel Jarre Albums. Community posts Search. Jean Michel Jarre pinned post 21 Apr Jean-Michel Jarre. Magnetic Fields Andrey Girny. Dionisy Kobelev. Jean Michel Jarre pinned post 11 Apr Vadim Ubeydov. Mikhail Tikhonov replied 5 replies. Vyacheslav Loginov. Alexey Bryzgalov. Magnetic Fields, Pt. Jean Michel Jarre pinned post 8 Jan Jean Michel Jarre — Ethnicolor. Jean Michel Jarre — Ethnicolor youtu.

Anastasia Pimenova. Tanya Leonidovna. Tomas Anderson. Jean Michel Jarre pinned post 12 Dec Lalisa Kotova. Antonio Salvador Sanchez. It was really wonderful. I had to go somewhere completely different. Metamorphoses is like a blank page for me, a new beginning.

The same year he composed, with Francis Rimbert arrangements, the music for the short-lived French channel Match TV, and contributed music to the soundtrack of the film Who wants to be a Star. Danish band Safri Duo featured on the track "Aero", which in fact was Bourges 2 from the performance earlier that year, and Rendez-Vous 4. The concert was broadcast live on various TV stations around the world and a shortened one-hour version was made available for rebroadcast.

By no fault of Jarre, due to 22 millimeters of rain and lack of proper preparation for and execution of the event, it took several hours for all people to be able to leave the area, and many cars were stuck until the next day. The problems subsequently became a big issue in Danish media, since, had there been an accident, it would be extremely difficult for help to get to the location. Two years previously, nine people were killed at Roskilde Festival , which had brought focus on security at large concerts.

Preparations for AERO were later proven to have been lacking, and the police investigation concluded, in part, that permission for the concert should not have been granted. In he released Sessions , a set of experimental synth-jazz pieces distinct from his previous work. Sessions was well received by Billboard Magazine , which said "He's created a deeply nuanced soundscape that invites repeated listening.

Room' nightclub in France. It contains a mix of 'electro-chill' music, with touches of his more traditional style. Jarre gave two performances, the first at the Meridian Gate of the Forbidden City , and the second in Tiananmen Square. More than 15, spectators watched the concert at the Meridian Gate, and each concert was transmitted nationwide on live television.

Jarre collaborated with musician Chen Lin. Accompanying his traditional musical repertoire, projectors shone coloured light and images across various screens and objects. Purportedly the world's first album released for 5. Accompanying the audio, the DVD features a visual image of Anne Parillaud 's eyes, recorded in real time as she listened to the album. A free event, it was attended by about 25, people. Images of water and the environment were projected onto nine vertical screens, held in place by sand which was watered to keep it hard.

Several permanent drinking fountains were built on the site, along with a permanent electricity installation. Jarre was accompanied by over 60 Moroccan artists. The album is supposed to describe the different stages of a loving relationship, and explores the idea that the length of such relationships is unpredictable.

Its release demonstrated a move away from virtual instruments and computers that Jarre had been using up to that point; he instead chose to use a simplified range of devices, including several new prototype instruments. The album's cover was inspired by the David Lynch film Wild at Heart. A first for Jarre, the album was recorded live, without tape or hard disk playback, with help from Francis Rimbert , Claude Samard and Dominique Perrier.

The album also contains three extra tracks "Variation Part 1", "2" and "3", respectively not found on either the original or remake, which form links between the main movements. There are one or two exceptions but 95 percent of the instruments are of that time. For me it was really important for the radicalism of the process. Following one such performance at the Royal Albert Hall Jarre met Brian May , who proposed he create a concert in Tenerife for the International Year of Astronomy , [78] but a lack of sponsorship meant that the concert did not take place.

This was the last Jarre work to be released by Disques Dreyfus. The Essentials disc is a compilation of some of his most famous works. After this release, Jarre recovered sole intellectual property rights over his work, which had previously been owned by Francis Dreyfus Music. On 1 July , Jarre performed a large-scale concert in Monaco to celebrate the marriage of Prince Albert and his bride Charlene.

During the last quarter of he concluded a tour schedule that had lasted for almost 3 years. He used the same format for a later concert at Carthage during the city's musical festival. The first of these to be released was the collaboration with Gesaffelstein entitled Conquistador , followed by Glory , with M The track was also featured as part of the soundtrack of a short film entitled EMIC. On 5 October , Democracy in Europe Movement announced that Jarre would be a member of its advisory panel.

One track 8 "Exit" includes speech by Edward Snowden. On 11 April , it was revealed that Jarre worked in collaboration with British virtual band Gorillaz on their fifth studio album Humanz. In , he performed a concert near the fortress of Masada , for the purpose of saving the Dead Sea.

This concert was called "The Green Concert", and involved laser projections on the skyscrapers of the financial center of Riyadh. Jarre started a promotional tour for his book. The show has had over 75 million viewers as of 5 January Jarre was married to Flore Guillard from until Jarre said about his father: "My father and I never really achieved a real relationship. We probably saw each other 20 or 25 times in our lifetime.

When you are able, at my age, to count the times you have seen your father, it says something I think it's better to have conflict, or, if you have a parent who dies, you grieve, but the feeling of absence is very difficult to fill, and it took me a while to absorb that. An asteroid , Jarre , has been named in his honour. Jarre composed for movies and also participated in documentaries.

From Wikipedia, the free encyclopedia. French composer, performer and record producer. Ambient new-age electronic trance progressive rock techno. Composer performer record producer. Synthesizer piano organ laser harp accordion guitar bass guitar theremin keytar. Francette Pejot Maurice Jarre. Musical artist. Third Rendez-Vous, normally performed in concert on the laser harp.

See also: List of Jean-Michel Jarre concerts. For a more comprehensive list, see Jean-Michel Jarre discography. Retrieved 15 August Archived from the original on 2 August Retrieved 25 January Jean-Michel Jarre. Disques Dreyfus. Library and Archives Canada. Rockol in Italian. Retrieved 25 August Retrieved 9 October Section Retrieved 4 July Archived from the original on 14 February Retrieved 26 January Harder Blogger Faster.

Retrieved 21 April Muzikalia in European Spanish. Archived from the original on 2 April Retrieved 7 December Retrieved 5 October Archived from the original on 17 July Retrieved 17 July SXSW Schedule Film at Lincoln Center.

The Guardian. London, United Kingdom. Retrieved 18 April Retrieved 10 January Consequence of Sound. Retrieved 13 April DIY Magazine. Retrieved 28 August Retrieved 26 March April Retrieved 25 February BBC News. Retrieved 22 March Retrieved 17 September Prog Magazine. Retrieved 6 January We Rave You. Archived from the original on 11 September Retrieved 10 September The Independent.

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Jean-Michel Jarre - Fourth Rendez-Vous

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