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Sideways 2004 eng

sideways 2004 eng

Sideways. About this Movie. Sideways. Two pals go on a wild tasting excursion in California's wine country in. Struggling writer and wine enthusiast Miles (Paul Giamatti) takes his engaged friend, Jack (Thomas Haden Church), on a trip to wine country for a last single-guy bonding experience. While Miles wants to relax and enjoy the wine, Jack is in search. Sideways movie YIFY subtitles. Miles is something of a sad sack, a high school English teacher who is a failed writer at heart. THE TWILIGHT SAGA Dolby Atmos transports on network monitoring systems to help audio that. When using roaming 13, Mar 21, as separate entities client, changes to session printers adding, removing, renaming made in a session on one server might not. File Sharing on the control channel create it.

Filter: English Remove Language Filter. Language Release Name English Sideways. Eng English Sideways. AC3-x English Sideways. How to use the Downloaded. Srt subtitle files for Sideways by following the Links above. Rename the subtitle file with exactly the same name as your Movie or tv series file, so you have two files like. Play your video in VLC. You should now see subtitles appear over your movie. If you don't, double check the. Fox Searchlight Pictures. Paul Giamatti Miles [Raymond].

Jessica Hecht Victoria. Missy Doty Cammi. Mc Gainey Cammi's husband. Alysia Reiner Christine Erganian. Duke Moosekian Mike Erganian. Robert Covarrubias Miles's building manager. Patrick Gallagher Gary the bartender. Stephanie Faracy Stephanie's mother [Carol]. Joe Marinelli Frass Canyon pourer. Chris Burroughs Chris at Sanford. Toni Howard Evelyn Berman-Silverman. Khoren Babouchian Armenian priest. Lee Brooks Ken Cortland. Peter Dennis Leslie Brough. Alison Herson Foxen Winery pourer. Phil Reeves Vactioning Dr.

Walt Hendricks. Rob Trow Obnoxious golfer. Lacey Rae Los Olivos waitress. Cesar "cheeser" Ramos Barista. Daniel Rogers Reciting eighth grader. Natalie Carter Siena. Simon Kassis Mini-mart owner. Sevag Kendirjian Armenian deacon. Jaren Coler Acoustic guitarist. Wendy Hoffmann. Richard Jannone. Kate Carlin. Sally Brooks. Anya Marina. Rachel Crane. Nicholas Guest. Al Rodrigo. Paul Pape. Tom Ajar Projectionist. Jim Albert Stage eng. James Aldridge Sound Effects Editor. Justo Almario Flutes.

Jeremy Alter Loc Manager. David Ariniello Company grip. Lee Auerbach Lamp op. Bonnie Barabas Clearance Coordinator. Steve Barnett Post prod Supervisor. Kevin Barrera Rigging Electrician. Dondi Bastone Music Supervisor. Ron Bedrosian ADR mixer. Brian Beery Set prod Assistant.

David Berman Apprentice Editor. Tony Blondal Orch and score Coordinator. Kiim Bodner Post accountant. Jeannine Bourdaghs Costumes. Tracy Boyd Factotum. Jeff Brown Greens foreman. Shayna Brown ADR mixer. Weldon Brown ADR mixer. Roger Burn Vibes. Gary Burritt Negative cutter.

Edgar Caissie ADR rec. Julio Carmona ADR rec. Dave Carpenter Bass. Alex J. Castillo Lamp op. Paul Cavanaugh Prod office intern. Gerasimos Christoforatos Art Department prod Assistant. Wendy Chuck Costume Design. Denise M. Ciarcia 2d Assistant Props master. Stephen Coleman Programming. Stephen Coleman Conductor. Steve Colgrove Lamp op. Matt Colleran Recording. Luis Conte Percussion. Bridget M.

Cook Key hair stylist. Astrid Cowan Composer. Patrick Cyccone Re-rec mixer. Daniela De Carlo Addl set prod Assistant. Stanley Demeski Composer. Phil Desanti Set prod Assistant. Kevin Diersing Propmaker. Mike Diersing Const Coordinator. Maral Djerejian Armenian liaison and Coordinator. Jamie Dunlap Composer. Richard Eckols Foreman. Gary Edelman Transportation Coordinator. Sean Eden Composer. Julie A. Elder Set prod Assistant. Tom Elliott Stunt Coordinator. Evan Endicott Assistant to Mr. Pedro Eustache Flutes.

Russell Farmarco Dial Editor. Erin Ferguson Assistant prod Coordinator. Leah Ferrarini Set Dresser. Simon Ferrer Addl set prod Assistant. Ron Feuer Piano. Candela Figueira Set prod Assistant. Lisa Fischer Set Decoration. Rachel Anne Fleischer Assistant to Mr. Richard Ford Music Editor. Nicole Frank Assistant hair stylist. Donald L. Frazee Special Effects Assistant Coordinator.

Terry Frazee Special Effects Coordinator. Jonathan Fuh Boom Operator. Lisa Furr Composer. Frank Gaeta Sound Designer and Supervisor. Luis Galdames Assistant Sound Editor. Jose Antonio Garcia Sound Mixer. Ray Garcia Key grip. Antonio Garrido Dolly grip.

Anthony Gaudio Standby painter. Rob Getty Dial Editor. Marco Gilson Painter. Patrick Giraudi Dial Editor. Sherri Goldman 1st Assistant accountant. Jarek Gorczycki Best boy Electrician. Danny Greco Percussion. Karen Greene Painter. Carlos Gutierrez Sound Effects Editor. Barbara Haberecht Set Decoration.

Paul Hackner Assistant Sound Editor. Bob Hall 1st Assistant Camera. Jeffrey M. Hall Lamp op. Jennifer Hamilton Props prod Assistant. Scott E. Handt Foreman. Heghine "helen" Harboyan Wedding vocalist. Tom Hardisty Mix Assistant.

Catherine Harper Foley artist. Coco Harrison Set dec prod Assistant. Jim Hartz Studio teacher. Justin Harwood Composer. Willie Haspel Labor foreman. Dan Higgins Saxes. Sean M. Higgins Best boy rigging Electrician.

Derrick Hinman Assistant Props master. Michael Hird Const medic. Patrick R. Hoeschen Lamp op. Brian A. Hoffman Office prod Assistant. Steve Holladay Stunts. Mike Hood Loc intern. Oliver Hug Assistant Music Editor. Anne Hyvarinen Lead paint foreman. Bill Isaacson Insert car driver. Brad Iwanaga Wine consultant. John Jackson Casting. Yasemin Kasim Office prod Assistant. Will Kennedy Drums.

Rolfe Kent Music Composition. Rolfe Kent Melodica, guitar. Donna Lee Killins Const medic. Timothy "tk" Kirkpatrick Art Director. David Allen Klingenberger Composer. Steven Klinghoffer Utility Sound. Jack Korbel Rigging grip. Khristina Kravas Assistant. Meti Kusari Craft service. Rebecca Whitesell Lafond Assistant to Mr. Tony Lamberti Re-rec mixer. Jennifer Lane 2d unit Director of Photographer. Stephen Lang Composer. John Latenser V Loc Manager.

Daryl Lathrop ADR rec. Erin Lenk Set Costume. Uli Lenz Composer. Carl Sonny Leyland Composer. Kendra Liedle Key loc Assistant. Mark "travis" Little Set Dresser. Keri Littledeer On set medic. Michael London Producer. Alexandra Lucka Addl Camera loader.

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She goes. JACK Jesus, she's jammin'. And she likes you. What else do you know about her? JACK Ooooooohh. Now we're getting somewhere. JACK Perfect. How would that ever work? JACK Why do you always focus on the negative? Didn't you see how friendly she was to you?

JACK You're blind, dude. Miles focuses again on the menu. Very lean. Locally raised. Jack and Miles are enjoying a post-prandial drink. Jack swirls his wine and downs it in one gulp. She has changed into a black cashmere sweater and corduroys, lovely but tired. JACK That's on us. Maya looks over and smiles as Gary pours her a glass from their bottle. MAYA Hey, guys. Maya gets an American Spirit Yellow out of her purse and lights it while Gary pours her a glass.

MAYA polite Sure. In no hurry, she takes a long sip of her wine, gets up and comes down the bar. I think you were almost done with it last time we talked. MAYA Good for you. JACK It's getting published. That's what we're up here celebrating. Jack responds with a "don't-fuck- it-up-brother" glower. MAYA That's fantastic. She offers her glass, and all clink. MAYA Oh yeah? What kind of stuff?

I was a regular on a couple of series. And lately I've been doing a lot of commercials. National mostly. JACK Maybe. Recognize this? JACK "Now with low, low 5. MAYA That's hilarious. You sound just like one of those guys. JACK I am one of those guys. MAYA You are not. Jack launches into another one of his sure-fire hits. JACK very fast Consult your doctor before using this product.

Side effects may include oily discharge, dizziness, hives, loss of appetite, difficulty breathing and low blood pressure. If you have diabetes or a history of kidney trouble This makes Maya laugh a big throaty laugh. Jack joins in. Nervous about Jack's aggressive flirtatiousness, Miles musters a tight courtesy smile.

MAYA winding down Oh. I needed that. Thank you. They all take a drink of wine. MAYA So what are you guys up to tonight? Probably go back to the hotel and crash. This makes Maya slightly embarrassed at her apparent availability, but she recovers quickly, remains breezy. It's a long drive up here.

Where're you staying? JACK Windmill. Maya downs the rest of her wine, stamps out her smoke, and picks up her jean jacket and purse. But she's gone. Jack gives Miles a slow burn look. JACK We'll probably go back to the hotel and crash?

JACK The girl is looking to party, and you tell her we're going to go back to our motel room and crash? Jesus, Miles! Aren't you tired? JACK The chick digs you. She lit up like a pinball machine when she heard your novel was getting published. Thanks, Jack. JACK I'm trying to get you some action, but you've got to help me out just a little bit. You were all over her. JACK Somebody had to do the talking. And by the way, I was right. She's not married. JACK No rock.

When she came to the bar, sans rock. JACK Single. Getting off work. Looking for love. A little slap and tickle. JACK She probably went home, lit some candles, put on some relaxing music, took a nice hot bath, and laid down on her bed with her favorite vibrator. JACK Oooh. There's now a rustling noise and footsteps. Miles closes the door behind him, and the only light visible is at the bottom of the bathroom door. Jack stops and Miles climbs into bed.

For some reason Jack is humorless and grumpy. Pigs in a blanket? The "rancher's special breakfast"? Or maybe just some grease and fat with a side of lard? JACK not amused So what's the plan today? MILES We head north, begin the grape tour up there, make our way south so the more we drink the closer we get to the motel.

Jack sarcastically taps an index finger to his temple. Jack exhales and looks away, as though he doesn't want to get into it. Jack sucks his teeth a moment searching for the right words. Then the dam bursts. And you are not going to fuck it up for me with all your depression and anxiety and neg-head downer shit.

JACK Yes they are. And I'm serious. Do not fuck with me. I am going to get laid before I settle down on Saturday. Do you read me? Whatever you say. It's your party. I'm sorry I'm in the way and dragging you down. Maybe you'd have a better time on your own. You take the car. I'll catch the train back. We should both be cutting loose. I mean, this is our last chance. This is our week! It should be something we share.

And you? With extra syrup. That explains all the tannins. And how long in oak? JACK Yeah, oak. That's a good wood. They slam back their drinks like tequila. Before them lies an incredible view of endless vineyards. JACK Beautiful. With smoked salmon and artichokes, but we didn't care.

She could even differentiate Italian wines. Victoria's coming to the wedding. You told me. I'm okay with it. JACK Yeah, but that's not the whole story. She got remarried. JACK About a month ago. Six weeks. That guy with the restaurant Jack nods.

Miles looks down at his shoes and draws a long breath. Then he stiffly gets back in the open car and closes the door. JACK Miles Miles continues to stare straight ahead. Get out! JACK You've been divorced for two years already. People move on. She has! It's like you enjoy self-pity.

Makes you feel special or something. JACK What do you think? Why didn't you tell me before? JACK Because I knew you'd freak out and probably get so depressed you wouldn't even come on this trip. But then I figured here would be the best place to tell you. We're here to forget about all that shit. We're here to party! Everyone's just going to be holding their breath to see if I'm going to get drunk and make a scene. Plus Tony fucking Levin?

JACK No, no, no. It's cool. I talked to Victoria. She's cool. Everyone's cool. Behind my back? Talking about it? He uncorks it and begins to swig. JACK Hey, hey, hey. No, you don't! Jack tries unsuccessfully to grab the bottle from Miles, but Miles bolts out of the car. He polishes off the bottle and tosses it. A painting Jack catches up with him in the adjacent grapevine corridor. Miles's face crumbles as though he were about to cry. Then he collapses to the ground and closes his eyes tight. Jack looks around impatiently for a moment.

Then he squats down so he can see Miles underneath the vines. JACK Miles? They seem to distract him from his pain. JACK You going to be okay? Miles looks up and shakes his head a definitive NO. How's it going? JACK Excellent. My friend and I are up here doing the wine tour, and he tells me that you folks make one hell of a Syrah.

Yesterday he didn't know Pinot Noir from film noir. JACK I'm a quick learner. Stephanie laughs. She apparently likes big good-natured lunks like Jack. Under the bar Jack stomps on Miles's foot. Miles winces. I never had that much interest in wine before, but this trip has been very enlightening. Always like wine, of course, but I don't know. More of a beer man, really.

She pours almost flirtatious amounts. JACK Now there's a girl who knows how to pour. What's your name? JACK Nice. Jack swirls the wine as though he were by now a sommelier. They look, they smell, they taste. JACK I like it. Tastes great. Stephanie reaches for another bottle and pours. Jack's eyes never leave her. Very few wineries around here do a straight Cabernet Franc. It's from our vineyard up in Santa Maria. And it was a Silver Medal winner at Paso Robles last year.

You live around here, Stephanie? JACK Oh yeah? We're just over in Buellton. Windmill Inn. Works at the Hitching Post? JACK No shit. We just had a drink with her last night. Miles knows her. As she turns to reach for the right bottle, Jack winks at Miles. Miles shakes his head. I might need to be spanked. She notices the boring couple, visibly annoyed that she has been monopolized. As she wanders down the bar, Jack turns to Miles, his mouth wide open. She might need to be spanked.

They glance down the bar at Stepanie. She smiles back. JACK Get the trunk. Jack puts the cases down and glances back at the building. JACK We're on. JACK Been divorced for a year now, bud. Jack puts the wine in the trunk, and they get in the car.

JACK Stephanie, holy shit. Chick had it all going on. JACK Cute? She's a fucking hottie. And you almost tell her I'm getting married. What's the matter with you? Gotta love it. The curtains are drawn. Get the blood flowing. Want to come? I want to watch this. The announcer whispers what an important moment this is.

The guy misses. Hey, Miles. Time to get up. Scholl's product. WIDE -- Miles pulls himself out of bed and slouches toward his suitcase. Whole place is wide open. Jack does some actor's weird warm-up stretch. Casual but nice. They think you're a writer. As Miles begins to dig through his suitcase, Jack flips open his cellphone and speed-dials. JACK Don't you have any other shoes? Miles glances as his shoes sitting sadly on the floor.

JACK into the phone Hello? Oh hey, baby, just checking in. Not much. We're about to go out for dinner, probably be out pretty late, so I thought I'd say goodnight now. I know, I love you too. I miss you. JACK Please just try to be your normal humorous self, okay? Like who you were before the tailspin. Do you remember that guy? People love that guy. And don't forget -- your novel is coming out in the fall. How exciting. What's it called? JACK Do not sabotage me. If you want to be a lightweight, that's your call.

But do not sabotage me. I am not drinking any fucking Merlot! JACK Okay, okay. Relax, Miles, Jesus. No Merlot. Did you bring your Xanax? JACK And don't drink too much. I don't want you going to the dark side or passing out. Do you hear me? No going to the dark side.

Jack gives him a final look in the eye. JACK We're going in. They look great. Jack touches a hand to Stephanie's bare neck and massages it meaningfully. JACK How you doin' tonight, beautiful? How're you? JACK Great. Meanwhile Miles looks over at Maya and purses his lips in an affable if uncomfortable smile. How is it? MAYA sliding the glass Try it.

As Miles swirls the wine and takes a sip, he begins to relax. Very nice. MAYA Twelve months in oak. MAYA I know the winemaker. She comes in the restaurant all the time. Little hints of clove. MAYA I know. I love that. And finally a Copper River salmon grilled on an alder wood plank. And that comes with roasted new potatoes and steamed watercress. The four diners exchange looks of delight. Miles raises his hand and takes the leather-bound book.

Jack glares at Miles, who immediately gets the hint. You ladies choose. Jack smiles and nods his approval. Jack takes the book out of Miles's hands and offers it to the girls. JACK Whatever you girls want. It's on us tonight. Sky's the limit. MAYA No, we're paying for the wine.

JACK I don't think so. We're celebrating Miles's book deal. MAYA Well, in that case Miles draws a long breath. Then we can sort out the wine. Jack shoots Miles a look. MAYA I'm having the salmon. JACK slapping his menu shut Me too. MAYA Well, that narrows things down. Stephanie lowers the menu so that only her eyes peer over the top. She looks at the others, and they look back at her.

Pinot Noir to me. JACK Pinot! Miles reluctantly slaps Jack's hand. This causes the girls to laugh. Particularly Miles. She's interested and available -- it's too much for him. Left out in the cold, his jaw tight, Jack wants to find a way in but can't. By now he has drunk so much that he spaces out, descending into -- INT. Miles is crossing over to the dark side. They share a short but sensual kiss. He is very unsteady, and we cut between first and third person perspectives.

Thinking better of it for a moment, Miles makes a drunken bee-line for the receiver. Miles feigns an implausible upbeat tone. How the hell are you? What's, uh, what's on your mind? Didn't think you had the stomach for another go-round. You're drunk.

That old Cotes de Beaune! Miles laughs at his own non-existent joke. New owners. Cozy ambiance. Excellent food too -- you should try it. Thought of you at the Hitching Post last night. MILES I just wanted you to know I've decided not to go to the wedding, so in case you were dreading some uncomfortable, you know, run-in or something, well, worry no more. You won't see me there. My wedding gift to you and what's- his-name.

What is his name? So you guys have fun. Kind of hard to believe. Miles sucks something from between his two front teeth. You're the boss. JACK Easy, boy. Maya helps him back into the booth. MAYA Are you all right? Just slipped. Miles drinks. Stephanie makes a head gesture to Maya, who nods in return. Miles and Jack allow the girls to pass.

What is up? Miles reaches for his wine glass, but Jack moves it away. JACK Pull yourself together, man. Jack rights it and throws a napkin on the tablecloth. JACK Where were you? JACK Did you drink and dial? Miles's silence confirms his guilt and shame. JACK Why do you always do this?

Victoria's gone, man. Miles looks down and squeezes his eyes tight while pushing out an exhale through his nose. JACK Stop it. You are blowing a great opportunity here, Miles. Fucking Maya, man. She's great. She's funny. She knows wine. What is this morose come-down bullshit? These girls want to party. And what was that fucking ten-minute lecture on, what was it, Vouvrays?

I mean, come on! Miles belligerently reaches for his Comte Armand. Jack lets it pass. How small she make you feel. That's why you had the affair in the first place. Shut your face. You got her on the hook. Reel her in! Come on, let's rachet this up a notch. You know how to to do it. Miles looks at the water, takes it and drains it. The girls now return to the table. The guys slide over. Why don't we go back to my place?

I've got wine, some insane cheeses, music, whatever. Jack raises both arms like a football referee. JACK Excellent idea. JACK grabbing the map Let me see that. Jack and Miles get out and head for the front door. JACK tearing Here. One for you, three for me. Miles wordlessly takes his. Jack stops and looks at him for a moment with almost hostile incredulity. JACK We're here! Stephanie sails in.

JACK Couple of wrong turns. After a brief hug, Stephanie and Jack peck-kiss. JACK Hi. Miles hesitates a moment before Jack elbows him toward -- EXT. MAYA Hey. MAYA Oh, yeah. Steph's way into Pinots and Syrahs. You sure we can open anything?

Anything we want? Anything but the Jayer Richebourg! Mon dieu. I have completely underestimated Stephanie. MAYA Who do you think you're dealing with here? MAYA How about this? Miles nods vigorously. Maya looks back and forth between Miles and the wine, her eyes narrowed. Then she slides it back in. MAYA Nope. I don't think we know each other well enough. Maya begins opening it.

MAYA So what gems do you have in your collection? I haven't had the wallet for that, so I sort of live bottle to bottle. But I've got a couple things I'm saving. I guess the star would be a Cheval Blanc. Go get it. Hurry up Miles laughs, fights back a bit. MAYA Seriously, the '61s are peaking, aren't they? At least that's what I've read. MAYA It might be too late already. What are you waiting for? Special occasion. With the right person. It was supposed to be for my tenth wedding anniversary.

Understanding, Maya considers her response. MAYA I started to get serious about seven years ago. Miles whistles and raises his eyebrows. Maya pours, and they clink their glasses together before savoring the wine. We gotta give it a moment, but this is tasty.

Really good. How about you? MAYA tastes again I think they overdid it a bit. Too much alcohol. Overwhelms the fruit. Sure is cute. MAYA She's with her grandmother. She's with Steph's mom. She spends a lot of time over there. Jack's voice-over voice from the other room MAYA You got kids?

Nah, I'd just fuck them up. That was the one unpolluted part of my divorce -- no kids. MAYA Yeah, same here. Maya nods as she sips again, looking distant for a moment, thinking about something else. MAYA Let's go in there. Maya takes the bottle, and they wander into -- INT.

From a distant bedroom comes more laughter. MAYA Looks like our friends are hitting it off. She takes a seat opposite Miles on the couch. They look at each other without speaking. Just what is the vibe here? All those times you came into the restaurant. It's like you're a real person now. It's kind of weird. Out of context. MAYA Yeah, weird. But great. An awkward silence, broken by Maya. MAYA So what's your novel about? It begins as a first-person account of a guy taking care of his father after a stroke.

Kind of based on personal experience, but only loosely. MAYA What's the title? You mean MAYA So is it kind of about death and mortality, or? It shifts around a lot. Like you also start to see everything from the point of view of the father. And some other stuff happens, some parallel narrative, and then it evolves -- or devolves -- into a kind of a Robbe-Grillet mystery -- you know, with no real resolution. MAYA Wow. Anyway, I think it's amazing you're getting it published. I know how hard it is.

Just to write it even. Just like in high school. It never changes. MAYA Yeah. I'm working on a masters in horticulture. Chipping away at it. I didn't know there was a college here. MAYA Well It's not fully proofed, but if you're okay with a few typos MAYA Oh yeah. Who cares? I'm the queen of typos. What do you think? It's like a thing with you. Miles laughs at first, then smiles wistfully at the question. He searches for the answer in his glass and begins slowly.

It's a hard grape to grow. As you know. It's thin-skinned, temperamental, ripens early. It's not a survivor like Cabernet that can grow anywhere and thrive even when neglected. Pinot needs constant care and attention and in fact can only grow in specific little tucked- away corners of the world. And only the most patient and nurturing growers can do it really, can tap into Pinot's most fragile, delicate qualities.

Only when someone has taken the time to truly understand its potential can Pinot be coaxed into its fullest expression. And when that happens, its flavors are the most haunting and brilliant and subtle and thrilling and ancient on the planet. Maya has found this answer revealing and moving. By comparison. MAYA What about me? Why are you into wine? He had a big, kind of show-off cellar. But then I found out that I have a really sharp palate, and the more I drank, the more I liked what it made me think about.

Like what? MAYA Like what a fraud he was. Comedy Drama Romance. Director Alexander Payne. Top credits Director Alexander Payne. See more at IMDbPro. Trailer Photos Top cast Edit. Paul Giamatti Miles as Miles. Thomas Haden Church Jack as Jack. Virginia Madsen Maya as Maya. Sandra Oh Stephanie as Stephanie. Jessica Hecht Victoria as Victoria. Missy Doty Cammi as Cammi.

Gainey Cammi's Husband as Cammi's Husband. Shake Tukhmanyan Mrs. Erganian as Mrs. Khoren Babouchian. Alexander Payne. More like this. Storyline Edit. A week before his friend Jack is to be married, best man Miles and the prospective groom head off to wine country for a week of fun, relaxation and - of course - wine drinking.

Miles is the oenophile and does his best to teach Jack a bit about the art of appreciating great wine. All Jack cares about is drinking and carousing, something he accomplishes when he meets the attractive Stephanie at one of the vineyards. Miles is something of a sad sack, a high school English teacher who is a failed writer at heart. He has yet to get over the fact that his wife has divorced him and that she has remarried and he now faces that nerve racking wait for word from a prospective publisher.

Miles has an opportunity to start anew when he meets Stephanie's friend Maya but when he let's slip that Jack is about to be married any hope of a relationship seems to be lost. In search of wine. In search of women. In search of themselves.

Rated R for language, some strong sexual content and nudity. Did you know Edit. Trivia The food that Miles, Jack, and Miles' mother consume during the dinner at Miles' mother's house gave the three actors food poisoning. Goofs When Miles is doing his crossword puzzle while driving, his speedometer reads zero. Quotes Jack : If they want to drink Merlot, we're drinking Merlot. Crazy credits No California oak trees were harmed during the making of this production. Connections Edited into The Clock User reviews Review.

Top review. Strong Acting, Character Development and Dialogue. I love movies like Sideways for many reasons. One may be that I will never see a commemorative Sideways bottle of wine or the Sideways happy meal at McDonald's. My point is that Sideways is a great movie and nothing more. It doesn't rely on blockbuster star power.

Sideways 2004 eng dell d10u001 optiplex 3040m

Sideways (1/5) Movie CLIP - Miles on Wine (2004) HD

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