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Marantz cd 15

marantz cd 15

CDM4PRO Belt Inlet & Outlet Belt für Marantz CD7 CD10 CD11 CD15 CD16 CD94 CD $ Buy It Now or Best Offer 27d 11h. See Details. The CD really is a CD with balanced outputs and even better chassis structure, introduced a year before the CD and two years before the CDSE. Being. I have a Marantz CD15 for sale. A high end cdplayer from the early ninties. The price back then (August ) was £ BASSUS You might want here as an. That is until are voted up set the root. Finally, check the was a bit know, gets added new features, enhancements, the bottom of external resourcesвeven.

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JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. You are using an out of date browser. Well warmed up and run in, the Marant CD15 was used for a couple of weeks on several systems and throughout all the sessions, it proved to have a consistent approac to music replay. First impressions were of a strong, confident sound, crips, explicit, dynamic and focused.

These impressions remainde throughout, and were further reinforced as location, interfacing and system matching was optimised for the player. Superbly refined, the Marantz CD15 has succeeded in abolishing grain and roughness, Its sound was finaly textured, seamless and highly resolved. Excellent levels of detail were retrieved regardless of the specific frequency register or the complexity of the music.

It possessed high definition throughout the frequency range. Describing its character, the sound was just a shade brilliant, with a hint, just a hint mind, of 'chromium plate' while the mid range was a touch lean and slightly electronic. If judged as being cool compared with some replay systems, the MarantzCD15 could not, however, be failry critised as clinical or cold.

The full bodied lower mid range amd the powerful, extended bass defied any such characterisation. In some respects, the Marantz CD15 has an American flavour; the bass packs a real punch, is precise and has real weight at the lowest audible frequencies. Broadly well balanced, the mid range showed just how revealing the Marantz CD15 is, in its ability to faithfully portrau the natural tone colour and timbre of sounds.

Stereo images were to a high standard with very good depth and focus, while image width was fine. Ambiance in recordings was weel realiswed, with this and the high transparency combining to help establish convincing, well layered prespectives in the sound stage illusion.

In the treble, the level of recovered detail was exceptional, achieved without grain, excess 'edge' or false sibilance, this was a genuinely low jitter sound. In all these respects it matched and even beat classic player references such as the Accuphase CD70V, reaching towards the state of the art levels seen with the Wadia 16 and Krell KPS20i. Where the Marantz CD5 gave rise to conflicting opinion was rhythm and timing.

Rhythmic expression was rated as 'above average'; unexceptional in view of its other qualities. Some of the swing, flow and verve of favourite tracks was blunted but the firm bass and dynamic expressive midrange helped to hold up the standard in the face of a loss heard in the treble. Trenble percussion - hi hat and the like - could not establish a really clear rhythmic pattern nor did the treble align itself very tightly with the musical pulse established in the bass and mid register.

As i have frequently mentioned in review, this subtle aspect of sound quality is often separated from benchmark characteristics of hig fidelity: focus, clarity, neutrality and so on. The importance of good rhythm will depend on personal taste and sensitivity, system matching and favoured programme. In an effort to explain the ratings for sound quality, if 'hi-fi' parameters were paramount then the Marantz CD15 would get a straight win at 40 marks.

But if the rhythm aspecst is crucial some listeners might knock it back as far as 20! I have chosen to split the difference and give the Marantz CD15 a worhty This is not as arbitrary as it sounds since the score sheets did in fact carry numbers in the suggested range. Tried via the balanced outputs to assess the flavour of their alternative driver and coupling technology, the Marantz CD15 was disappointing.

Now the sound was darkened and closed in and the entire sound stage compressed in both width and depth, together with a noted loss of lower level ambiance. The bass had less depth and crispness, the treble a whitened glare which was most surprising. All this lead to an overall rating of 20 for the balanced output, below average for the class.

This luxury Marantz is of audiophile quality, built and finished to the required standard.

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Save marantz cd to get e-mail alerts and updates on your eBay Feed. Postal code. Shop on eBay Opens in a new window or tab Brand New. Free returns. Shipping not specified. Opens in a new window or tab Pre-Owned. Related Searches marantz cd Amounts shown in italicized text are for items listed in currency other than Canadian dollars and are approximate conversions to Canadian dollars based upon Bloomberg's conversion rates.

For more recent exchange rates, please use the Universal Currency Converter. This page was last updated: Apr Number of bids and bid amounts may be slightly out of date. It has a high Eurotech input, provided by the vast recources of Marantz's parent company Philips, this including the transport, the major control systems and the DAC's. Presented in the classic livery of satin champagne anodised alloy finish, the exterior case full sized at mm wide by mm deep and mm high is made of this very solid material.

In keeping with its up-market audiophile image, a luxury remote handset has been specially designed to accompany this machine. This weighty but slim creation also comes with a satin anodised fascia and matching gold buttons.

The controls on the minimalist fascia are confined to power, play, pause, previous and next track, plus display off. If you werehoping for a relaxing time in darkened roo conditions, the display off button unfortunately illuminates an overbright led which you may well feel like blacking over!

Founded on a strong diecas chassis the Marantz CD15 begins with the renowned Philips CDM4 Pro mechanism, a miniature diecast nit with the long life, low vibration Hall effect disc motor bruchliess, low noise. Transport and tracking control are via stepless servo electronics with analogue procession, which is still favoured by many designers. Good isolation for the Philips CDM4 mechanism is given by damped coil springs. A Japanese-built high tech loader is employed together with frictionless magnetic disc clamping.

All internal chassis sections are heavily copper plated including the diecast base. Once recovered and error proofed the data is digitally filtered in an NPC SM which includes de-emphasis control. It has four DAC units per integrated circuit and also includes four current to voltage converters. After leaving the DAC the signals reacht the first differential combiner and then a second stage employing audio ICs with filtering, leading to a final amplifier to achieve the unbalanced analogue output.

HDAM is a high speed discrete classic op amp using chip components and surface mount technology, while the outpu devices are discrete, medium power FETs. For the balanced outputs, buffers feed studio grade ohm output transformers and there is a transformer winding included in the feedback loop to maximise transformer performance. Well warmed up and run in, the Marant CD15 was used for a couple of weeks on several systems and throughout all the sessions, it proved to have a consistent approac to music replay.

First impressions were of a strong, confident sound, crips, explicit, dynamic and focused. These impressions remainde throughout, and were further reinforced as location, interfacing and system matching was optimised for the player. Superbly refined, the Marantz CD15 has succeeded in abolishing grain and roughness, Its sound was finaly textured, seamless and highly resolved.

Excellent levels of detail were retrieved regardless of the specific frequency register or the complexity of the music. It possessed high definition throughout the frequency range. Describing its character, the sound was just a shade brilliant, with a hint, just a hint mind, of 'chromium plate' while the mid range was a touch lean and slightly electronic.

If judged as being cool compared with some replay systems, the MarantzCD15 could not, however, be failry critised as clinical or cold. The full bodied lower mid range amd the powerful, extended bass defied any such characterisation. In some respects, the Marantz CD15 has an American flavour; the bass packs a real punch, is precise and has real weight at the lowest audible frequencies. Broadly well balanced, the mid range showed just how revealing the Marantz CD15 is, in its ability to faithfully portrau the natural tone colour and timbre of sounds.

Stereo images were to a high standard with very good depth and focus, while image width was fine. Ambiance in recordings was weel realiswed, with this and the high transparency combining to help establish convincing, well layered prespectives in the sound stage illusion. In the treble, the level of recovered detail was exceptional, achieved without grain, excess 'edge' or false sibilance, this was a genuinely low jitter sound.

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